Wednesday, October 30, 2019
Automobile (Toyota in Saudi Arabia) customer reponces to price changes Essay
Automobile (Toyota in Saudi Arabia) customer reponces to price changes according to cusomer segmentation - Essay Example .......................................... 4 1.2 Problem Statement ........................................................................................ 8 1.3 Aims or Purpose of this Study....................................................................... 9 1.4 Research Objectives ....................................................................................... 9 1.5 Research Questions ........................................................................................ 10 1.6 Significance of the Study ............................................................................... 10 1.7 Rationale for Choosing the Research Topic.................................................. 10 1.8 Research Procedure...................................................................................... 12 1.9 Scope and Limitations .................................................................................... 13 1.10 Chapter Summary ............................................. ............................................. 14 2. Literature Review ...................................................................................................... 14 2.1 Conceptual Framework and Research Hypothesis ............................................. 15 2.1.1 Conceptual Framework ........................................................................ 15 2.1.2 Research Hypothesis for Further Verification ..................................... ... .............. 31 2.2.3 Brand Association ................................................................................ 34 2.2.4 Perceived Brand Quality ...................................................................... 39 2.3 Importance of Effective Pricing Strategy ........................................................... 41 2.4 Significance of Pricing over the Development of Brand Equity †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.... 46 2.5 Significance of Price Changes on Consumer Behavior ...................................... 50 2.6 Chapter Summary................................................................................................ 54 2.7 References............................................................................................................57 Chapter 1 – Introduction In order for marketing managers to develop and implement effective marketing strategies, it is necessary to understand the impact that price changes have on consumers’ purc hasing behavior and purchasing decisions. In particular, the market price of automobiles is one of the most significant factors that can influence consumers’ purchasing behavior and purchasing decisions. Since price movement can affect consumers’ purchasing behavior, a majority of marketing managers are concerned with analyzing the impact of price changes on brand equity and consumer behavior (Yoon and Tran, 2011). Most of the available research studies are focused on examining the impact of marketing mix on brand equity (Buil et al., 2011; Chattopadhyay, Shivani and Krishnan, 2009; Villarejo-Ramos and Sanchez-Franco, 2005; Yoo, Donthu and Lee, 2000). Specifically the study of Valette-Florence, Guizani and Merunka (2009) examined consumers’ opinion with regards to the impact of sales promotion intensity and
Monday, October 28, 2019
Contemporary Chinese female art and artists Essay Example for Free
Contemporary Chinese female art and artists Essay Introduction In the 1990s, China adopted western feminism and it influenced and rapidly raised the Chinese feminism concept. There were many themes of exhibition focused on female art and female artists, an example of this is the â€Å"Chinese Women Art Exhibition†1 â€Å"Chinese Women Art Exhibition†in 1998, the Frauen museum (Women’s Museum), Bonn, Germany â€Å"Ã¥ Šå ¤ ©Ã©â€šÅ -ä ¸ Ã¥Å"‹å ¥ ³Ã¦â‚¬ §Ã¨â€" è ¡â€œÃ¥ ±â€¢Ã¢â‚¬ , é‚ ±Ã¨ ç â€"åŠÆ', Ã¥ ¾ ·Ã¥Å"‹æ ³ ¢Ã¦ ©Ã¥ © ¦Ã¥ ¥ ³Ã¨â€" è ¡â€œÃ¥ šç‰ ©Ã© ¤ ¨, Ã¥ Æ'Ã¥ ±â€¢Ã¨â€" è ¡â€œÃ¥ ® ¶Ã¦Å"‰ä ¸ Ã¥Å"‹, æ ¸ ¯Ã¥ °Ã¥ Šæ µ ·Ã¥ ¤â€"å… ±Ã¨ ¨Ë†25ä º º. in 1998 and the â€Å"Century Female Art Exhibition†2 â€Å"Century Female Art Exhibition†in 1998, the China National Art Gallery, Beijing, China â€Å"ä ¸â€"ç ´â‚¬,Ã¥ ¥ ³Ã¦â‚¬ §Ã¨â€" è ¡â€œÃ¥ ±â€¢Ã¢â‚¬ , Ã¥ ‡æâ€" ¹Ã¨Ë†Å¸Ã§ â€"åŠÆ',ä ¸ Ã¥Å"‹èâ€" è ¡â€œÃ§ â€Ã§ © ¶Ã©â„¢ ¢Ã¦â€"‡åÅ'â€"èâ€" è ¡â€œ,Ã¥ ¤ §Ã¥Å" °Ã¨ ³â€¡Ã§â€ ¢Ã§ ® ¡Ã§ †æÅ"䎪 å… ¬Ã¥ ¸Ã¤ ¸ »Ã¦Å' ,Ã¥ ±â€¢Ã¨ ¦ ½Ã§ »Ã¥ ±â€¢(é™ ¶Ã¥â€™ ç™ ½Ã¤ ¸ »Ã¦Å' ),èâ€" å“ Ã¥ ±â€¢(Ã¥ ¾ è™ ¹Ã¤ ¸ »Ã¦Å' ),Ã¥ ¤â€"Ã¥Å"˜å ±â€¢(ç ¾â€¦Ã© ºâ€"ä ¸ »Ã¦Å' ),ç‰ ¹Ã¥ ±â€¢(è ³Ë†Ã¦â€" ¹Ã¨Ë†Å¸Ã¤ ¸ »Ã¦Å' )四個éÆ' ¨Ã¥Ë†â€ .Ã¥ ±â€¢Ã¨ ¦ ½Ã¨ ¨ ç «â€¹Ã¤ ¸â€°Ã¥â‚¬â€¹Ã§ Žé …:æâ€"‡åÅ'â€"èâ€" è ¡â€œÃ¥ ¸Ã§ ¤ ¾Ã§ Ž(ç ²Ã§ Žè€…:Ã¥ ¡Å¾Ã¥ £ ¬Ã¨â€" è ¡â€œÃ¥ · ¥Ã¤ ½Å"Ã¥ ® ¤,劉è™ ¹,èâ€"݊ ¿ ç‘•,æžâ€"Ã¥ ¤ ©Ã¨â€¹â€",æ ¢ æ ´ é ˆ) æ‰ ¹Ã¨ ©â€¢Ã¥ ® ¶Ã§ Ž(ç ²Ã§ Žè€…:Ã¥ §Å"æ °,Ã¥ «Ã¨â€˜â€º,æžâ€"Ã¥ » ¶,æâ€"‡é ³ ³Ã¥â€žâ‚¬,æ Žè™ ¹) 憶èâ€" Ã¥ ® ¶Ã§ Ž(ç ²Ã§ Žè€…:Ã¥ ¤ ä ¿Å Ã¥ ¨Å",Ã¥ ¾ æš 燕,Ã¥ ¼ µÃ¦ º «Ã¥ ¸â„¢,Ã¥ «Ã© ¼Å½Ã§Å½â€°,Ã¥ ¾ è™ ¹) in 1998. Only female artists could participate in this category of art exhibition. Although the exhibitions revealed the importance of women art in modern Chinese art, there was no specific description to define the quality of female art and female artists. From this it can be asked: What is Chinese female art and is it a category in the making of the modern and contemporary Chinese art? Contemporary Chinese art frequently referred to as avant-garde art, sustained to expand ever since the 1980’s as an improvement of contemporary, post-Cultural art developments. During this period, China opened the economic door to world and western influence poured into Chinese culture; bringing the concept of feminism in China. Furthermore, Chinese artist were also released from the control of extreme political condition, and female artists were set about to re-create their own image, contributing to a gradual awakening of women’s consciousness. Indeed, it is in this newly awakened consciousness that Chinese female art in contemporary world can be delineated. In this paper, I would like to discuss how three generation groups of female artists (1980s, 1990s, and overseas) present their works and how they express their female quality through those art pieces. Finally, I also would like to bring out the concept and definition of quality of female art in contemporary Chine se art. The ’85 New Wave Art’ movement brought about many young female artists who devoted themselves to approach the woman’s nature of body and also found new ways to present the attention on the female subject. Female artists alongside male artists, expressed their own attitudes towards contemporary China. In the beginning stages of this period, women artist paid little attention to their own expression through maintaining with the large scale influence and borrowing from modern western art. However, the nature of contemporary art developed so that the concept of women’s artistic consciousness started to emerge. After 1989, neo-expressionism brought new stage in China. Artists, both male and female, started to focus on the essence of human spirit and also emphasized on rational and critical concepts. Women’s consciousness began to emerge and women began to explore their own experience and find an appropriate way of expression in contemporary Chinese art. Most female artists pursued to define the essence of women’s consciousness or confirm women’s consciousness itself. They promoted freedom from traditional male-dominated society and pursued women’s equal position with men. Many women art exhibitions were also held in this period, and female art and female artists began to be paid attention. Since the 1980s, not only local Chinese female artists came about to give rise to Chinese women’s art, but some overseas Chinese female artists also worked to this end. They created the works through different experiences and feelings in looking for the essence of women’s consciousness. These artists mostly left China after the Cultural Revolution, prior to the social changes in China. They have their unique ways to present their ideas and expressions, like looking back to Chinese history and pursuing the art essences that they need. With differences in personal backgrounds and generations, female artists in all these three groups have varying and unique ways in presenting their art through different content and influence. But to Chinese female artists, the intention is to express their female touch and feeling in a changing Chinese society in which the women’s gender role is constantly changing and reshaping. In their art, females in these three groups share not only expressions and feelings based on their female sensitivity but also their observations to social concern. In the following sections, I choose three contemporary Chinese female artists, Hung Liu, Yu Hong, and Cui Xiuwen, and define the quality of female art through their works. Traditional female role in China Most literature focuses on Chinese culture and history with key stresses on the function of language, geography, philosophies, and art. On the other hand, women are missing in almost all fields. Chinese civilization’s culture and arts are male-dominated and male-oriented. Chinese art, whether primordial or contemporary, is art that instigated in or is practiced in China mostly by Chinese male artists. The arts of a society mirror man’s values and attitudes. Women were always portrayed as objects of observation by men. Moreover, according to I-Jing, â€Å"women are more naturally aligned with the spiritual and emotional bodies, which are more non-linear and spatially oriented (all those yin qualities); while men are more naturally aligned with the mental and physical bodies, which are more linear and temporally oriented (all those yang qualities).†3 Malin, David. 2006. Creating Sacred Space. Bodymath.com. http://www.bodymath.com/articles/archives/Feb06_Creating_Sacred_Space.pdf (February, 2006) Yang is mostly considered more important than yin, and is regarded as of secondary importance. This makes gender roles have typical stereotypes with women always portrayed with weakness and sickness. Chinese women had been confined to the family, at the mercy of their husbands for thousands of years. History and tradition have stifled women’s voices. In China, women lived within a society dominated by men, where women were not authorized to involve themselves in the public field and consequently were not integrated in historical descriptions. For example, in the Forbidden City, women were not allowed to walk in some public spaces because those spaces were symbolized as the male’s power and authority. â€Å"No woman ever took part in the grand ceremonies staged before the Hall of Supreme Harmony, which were supreme demonstrations of male ruling power.†4 Wu, Hung. Beyond Stereotypes: The Twelve Beauties in Qing Court Art and the â€Å"Dream of the Red Chamber†. Writing Women in Late Imperial China, ed. Ellen Widmer Kang-I Sun Chang, 315-316. Stanford, CA: Stanford University Press, 1997. Undertakings by Chinese women highlight the custom of foot binding succeeded from late Song to Ming Dynasties and even sustained to several indications into the 20th century. Foot binding has an effect to a degree in all classes of Chinese women and at a certain point, persuaded women to have bound feet and to dwell in the private sphere of their homes. Having bound feet was directly correlated to Chinese art in modern times. Contemporary Chinese women role The year 1976 marked a shift in political, economic, and cultural policy, a shift that erupted out of the self-imported isolation of three decades and opened China up to the outside world. Western influence started to come into China and brought many new concepts to strike Chinese society. During the 1980s, the western feminism also began to influence and raised rapidly women’s consciousness. â€Å"By the mid-1980s, though, the plethora of newly founded womens magazines explicitly discussed womens problems at work and in the family. The pages of China Womens News were filled with exposà ©s and denunciations of discrimination faced by women. Feminist outcries began to appear with some regularity in print. This recognition of gender inequality also found expression in the emergence of separate womens organizationsschools, professional societies, and womens studies groups.†5 Hershatter, Gail Honig, Emily. Feminist Voices. Personal Voices: Chinese Women in the 1980’s. 308. Stanford, CA:Stanford University Press, 1988. Women became aware of their unequal state in society and began to pay attention on female issues. In 1990s, new modern women images emerged. Women focused on individual characteristic and pursued their confidence and profession. The new women were as strong and intellectual as men or better, and they could even afford more of what they desire without anymore having to depend on men and be at a lower statute in society. â€Å"Metropolis ran a special feature on women of talent in its November 1999 issue. One illustration show a confident woman pointing to the screen of her laptop computer while a male colleague with furrowed brow struggles to comprehend what he sees. An article entitled â€Å"Thirty Traits of the Talented Woman†6 â€Å"Thirty Traits of the Talented Woman†explains that the woman should be intelligent, sharp-witted, well-informed, knowledgeable, well-spoken, and has good taste; she is independent, self-respecting, and conscious of women’s equality; she if principled but gentle, with a good sense of humor, and easy to get along with. She is understanding, generous, and sensitive to the feelings to others, but not suspicious. She is a doer-straightforward, efficient, and self-controlled. She is a bit of a rebel but not confrontational. While she may be attractive to men, her attraction is based on personality, not beauty. Her life is well-balanced; love is never her only concern. Dadushi (Metropolis) 14 (November 1999): 102-103 lists her characteristics.†7 Julia F. Andrews and Kuiyi Shen. The New Chinese Woman and Lifestyle Magazines in the Late 1990s. Popular China: Unofficial Culture in a Globalizing Society. Ed. Perry Link, Richard P. Madsen, and Paul G. Pickowicz, 151. Lanham, Maryland: Rowman Littlefield Publishers, Inc., 2002 New modern women were portrayed as beautiful and intellectual individuals. They could stand in the same level in society with men. Contemporary Chinese female artists and works Contemporary Chinese female artists use a lot of ways to express and convey their feelings and this is done effectively in their image. Basically, there are five important themes involved in their works to describe their voice and thought. First, female artists usually use their sensitivity to express women’s touch through body and gesture. Body and gesture presentations help artists to voice their opinions and feelings accompanied with their understanding of being women. Cui Xiuwen8 Cui Xiuwen, born in Heilongjiang, China, 1970. She graduated with MFA from the Central Academy of Fine Art, Beijing, China in 1996. Cui Xiuwen’s works have consistently engaged themes of sexuality and gender. Her paintings show the blurred boundary between public and private, and the relationship between history and memory. She uses a wide range of media and subject matters to explore the messages she wants to pass, bringing disturbing insights to bear on those issues. , her series works, â€Å"Lovers†(1999), she creates bold and sensitive relationship and intimate activity between man and woman. In the piece, she reveals both heterosexual and homosexual features, and presents a nervous sexual interaction that hints at Paul Cezanne’s colors. In â€Å"Lovers 5†(1999), strong and intense orange color background emphasizes the two human figures in the front when having sex, and also marks the nervous and excited atmosphere between them. While seeing this painting, the feeling is along with two figures through position, activity, and touch. This is primary human nature and human form however is heterosexual or homosexual. â€Å"†I create themes about gender, not themes about sexuality,†she explains. â€Å"I focus on human beings, only the human form in the world. If you want to know what it is to be human, you have to gain an insight into the relationship between man and woman.††9 Ma, Maggie. The Colors of Cui Xiuwen. Artzine: A Chinese Contemporary Art Portal. http://www.artzinechina.com/display_vol_aid168_en.html Yu Hong’s10 Yu Hong, born in Xi’an,China, 1966. 1995 earned MFA from the Central Academy of Fine arts, Beijing, China. Simple and realistic are the two best words to describe her works. Initially, Yu Hong’s paintings combine highly realistic portraits wit unreal surroundings and colorations, suggestion a sense of dislocation from the world. She presents her world and experience through works without any extraordinary images or ideas. Though paintings often represent a tranquil feeling, they depict the significance of life. Her early work, â€Å"Nude†(1988) was against masculinity appropriation of the spectacle of woman’s body in the Cultural Revolution. She portrays realistically, woman’s naked body, smooth and soft pose which present the touch and quality of female. Yu Hong reverses the traditional must-be female image. She depicts naked woman body in front only with red high heel shoes. â€Å"Chinese pictures of the human body, clothes or semi-clothed, (in a furtive pornography [of specifically erotic pictures]), are-to Western eyes-meager, schematic and inadequate†.11 Angela Zito Tani E.Barlow.The Body Invisible in Chinese Art?. Body, Subject Power in China. Chicago: The university of Chicago Press. There were no naked body images in traditional Chinese pictures, but here Yu Hong presented the naked woman body to represent the true nature and beauty of human form intended  against masculinity of the body and tradition. Another type of presentation, like Hung Liu’s12 Hung Liu, born in China on the eve of the Cultural Revolution, 1982 earned her MFA in mural painting from the Central Academy of Fine Art, Beijing, China, immigrated to the United States later on and also earned MFA in visual arts from University of California, San Diego. She is interested in looking at how women existed in Chinese history for long time. Her works are touched with the painful reality of women’s status on China. As a Chinese woman and immigrant in the United States, Hung Liu chooses different ways to identify herself through looking back the Chinese history and portraying female issue on art work. Her paintings are based on late 19th and early 20th century Chinese photographs. Some were taken by foreign tourists, while others were taken by the Chinese. Often, the pictures are of beautiful young prostitutes. In traditional Chinese society, prostitutes belong to the low social class and disdained by people. But, indeed, they play an important role during that period, especially for photograph art and portrait paintings. In her work, â€Å"Odalisque†(1992), she creates a monumental altar to an anonymous woman, a turn of the century Chinese prostitute. Hung Liu reclaims a place in history for the Chinese prostitute by transforming the small photograph into large scale painting. â€Å"To the painting, with their flattened surfaces, Liu attaches wooden altars, on which she sets small jade-colored vases of glass flowers or tiny embroidered shoes for bound feet. Like the lacquer panels and the lifeless glass flowers, the prostitutes are mere decorations, passive, powerless, and empty in a culture that traditional counted emptiness as a female virtue.†13 Kim, Elaine H.1996. â€Å"Bad Women†: Asian American Visual Artists Hanh Thi Pham, Hung Liu, and Yong Soon Min. Feminist Studies, Inc. http://www.jstor.org/pss/3178131 The traditional Chinese clothing of the woman contrasts with the ornate, Western design of the sofa upon which she reclines and the flowered, Victorian-style backdrop. In addition, her gaze turns to the viewer and marks us conscious of viewer’s role as outside observers. The painting recalls the western artist, Edouard Manet’s painting, â€Å"Olympia†(1863). She touches a moment that registers the encounter between a past China and the trope of the prostitute, sexuality as commodity advertised through the relation of displayed body to the gaze of that Western technology, camera. â€Å"â€Å"I don’t want their stories to be forgotten; I don’t want them to disappear without a trace.†14 Kim, Elaine H.1996. â€Å"Bad Women†: Asian American Visual Artists Hanh Thi Pham, Hung Liu, and Yong Soon Min. Feminist Studies, Inc. http://www.jstor.org/pss/3178131 As she says, she intends to document the anonymous women in history. Hung Liu’s painting combines western aesthetics with Chinese subject matter (prostitute), a cross-cultural blend that communicates her unique sense of beauty and emotion to the viewer through extraordinarily skillful handing of paint. Second, family and growing background are the significant influences to female artist when creating their works. Their works sometimes are revealed the images about family or childhood memory, and even extend to related personal expression and concern. Yu Hong, â€Å"Witness to Growth†(1966-2006), in which Yu Hong uses her own family photographs to create a self-portrait for each year of her life, and portraits for each year of her daughter’s life. The idea and composition of paintings dwell deeply in her concerned questions: What is the social expectation to female role in our society? How do these expectations build up the life of a woman? In this series of paintings, she not only narrates the story in how growing process, but also how society changes a woman’s life. Yu Hong discards an enthusiastic and rational thinking, but returns to the history by an imperturbable and objective manner instead. Yu Hong chooses a newspaper or magazine spread to complement each image of painting, and makes connection between private and public area of her own life. â€Å"Witness to Growth†(1995),a painting of herself aged twenty-nine years old, Yu Hong’s daughter lying on her body, family burden (role of mother) and society change (modern woman) bring heavy pressure and make her rethink the meaning of gender role and seek the balance between those roles. Next to the painting, artist places a contemporaneous China 1995 newspaper depicting â€Å"women waiting for job opportunity†. Chinese economy was flourishing rapidly during this period, and it also brought extremely competition in working position. Many women lost jobs, and many young girls lost opportunity of education. Society change quickly marked negative effect to female and deprived of their chance. At this time, western feminism came into China; women began to pursue their equality to men in society and also look for their female identity. This feminism trend aroused women to think about their roles between family and society as mothers and working women. In contrast, one year-old Yu Hong’s daughter, she seemed a new generation is growing. A new age is coming. The painting engages the juxtaposition of the weight of contemporary China’s history with the simplicity of life in its purest, most uncomplicated state of being. Here is a relatively quiet life lived in the midst of an almost constant political, cultural, and economic maelstrom. Yu Hong provides the necessary retreat into ordinary that enables the progression of life through the juxtaposition of the photograph and painting. Cultural Revolution was a significant historical event, especially rooted in people who grew up during this period. Hun Liu’s stunning reproductions of historical photographs of Chinese life, which address the cultural collisions she faced while coming of age during the decade of the Cultural Revolution in China. Personal items such as photographs were forbidden during Cultural Revolution, and her family destroyed most of their family photos out of fear. As a result, Hung Liu creates her paintings from anonymous photographs of historical China, particularly with reclaiming the lost histories of nameless women, has been strongly influenced by the losses she and her family suffered. Many of her paintings depict restrictive Chinese Cultural Revolution Scene and express her voice to against this history. Hung Liu’s painting, â€Å"Three Graces†(2001), the source photographs for this painting depict women in paramilitary uniforms in heroic poses, shown from below to give the appearance of greater height and stature. These fighters for Mao’s cause carry primitive rifles as they march forward to engage in the revolutionary struggle. During the Cultural Revolution, young students and young people were mobilized by Chinese government, called â€Å"red guards†or â€Å"Hong Wei Bing†. The Hong Wei Bing traveled throughout China, going to schools, universities, and institutions, spreading the teaching of Mao. They aimed to attack the old society (old ideas, cultures, manners, and customs) with violence, but indeed they followed blindly by government’s propaganda. And the Cultural Revolution also put young intellectuals and artist like Hung Liu into the rice fields to be â€Å"re-educated†by peasants. Hung Liu chooses plain clothes worn by the women in the original photographs with flowers, painted in the traditional Chinese style. The drips of oil paint that enliven the painting’s surface are a part of Western praxis with its reference to the personifications of beauty, charm, and grace. As she says, â€Å"â€Å"The oil washes and drips hat seep through my paintings contributes to a sense of loss while dissolving the historical authenticity of the photographs I paint from. Color is a way of making contact with subjects that are fading into the gray tones of history.††15 Going Away, Coming Home: 80 Blessings from Oakland Artist hung Liu. Port Of Oakland. http://www.museumca.org/press/pdf/Liu%20fact%20sheet%20fnl.pdf Through this revolutionary background, Hung Liu had experienced a deep touch. This painting not only looks for the memory of girls’ but also expresses Hung Liu’s feeling of the Cultural Revolution through the image and drip. Third, artists look for identifying women’s importance and missing recognition of social status because women in society are always ignored and made to play an unimportant role. Indeed, they are actually as significant as men in our world. Hung Liu’s paintings often narrate identity and story issues. She documents in her art the forgotten lives of anonymous people, especially those of women. She tries to recall their erased identity from society and appear their stories and meaning of existence back. Her work, â€Å"We have Been Naught We Shall Be all†(2007), a series of three canvases edged by bands to mimic widescreen film format, those works are inspired by Daughters of China (1949), a Ling Zifeng film based on the heroic actions of a group of women officers and soldiers during the Sino-Japanese War. Hung Liu’s empathetic response to the final moments of the women, as they carry a wounded comrade into the river to draw away enemy fire from the Chinese Resistance fighters, brings to the fore the theme of personal sacrifice. The images of women are taken by realistic presentation, Hung Liu bases on original photographic image of film. She reserves women’s face without any color and intends to keep their original identify and recall their heroic dignity, accompanied by respect. The paintings from left to right, it seems catching the moment and movement when women carrying the wounded body toward the front. Hung Liu uses the yellow color on three canvases, the background of left painting is coloring yellow, yellow is on wounded body and women’s figures of central canvas, and only little yellow color on right canvas. Moreover, yellow symbolizes the sharp memory. Hung Liu arranges the yellow on three canvases perfectly along with women’s action and moment. This presents a balance between image and time. Her art work is concerned about what has been lost in transit between female and history. Hung Liu desires to give those nameless women place in history, and she would like to identify those women as significant heroes in our society. As Hung Liu’s concept, Yu Hong creates the â€Å"She†series to portray the spirit and lives of women. The meaning of â€Å"existence†in our world is then recorded. Different career women have also played different roles to show their importance. â€Å"She-security guard†, Yu Hong arranges one photographic image picked by security guard aside with one oil painting made by her. The photographic image is taken in front of the museum in her leisure time. Security guard wears white shirt with likely smile. In the photo, she raises her hand and poses â€Å"YA†. Contrary to the next, the painting shows her working place. She wears yellow ochrecolor uniform and concentrate on her job with highly respect. The light is the parking light seems leading us to take a glance on her working place and tries to understand her work. Artist organizes this placement purposely and intent to show the importance of security guard in society. Yu Hong depicts the portrait image to let audience snoop security guard’s life between working place and personal life. She is the individual with singularity; no one can replace her in this career position. Yu Hong still presents her realistic style on paintings, and she intends to record different modern female in different levels of life. As she says, â€Å"If life can move slower, people can notice and pay attention in every detail and experience. I wish life could be freed from the restraint, so the essence of real life could be discovered. †16 â€Å"我å ° ±Ã¦Ëœ ¯Ã¥ ¸Å'æÅ"ݍâ€Å¸Ã¦ ´ »Ã§ ¯â‚¬Ã¥ ¥ æ… ¢Ã¤ ¸â‚¬Ã© »Å¾, 這æ ¨ £Ã¤ º ºÃ¥â‚¬â€˜Ã¥ ¯Ã¤ » ¥Ã¥ ¾Å¾Ã¥ ® ¹Ã¥Å" °Ã§â€Å¸Ã¦ ´ », æ… ¢Ã¦â€¦ ¢Ã¥Å" °Ã© «â€Ã¦Å"Æ'. 我æ ³ ¨Ã©â€¡ ç ´ °Ã§ ¯â‚¬,我å ¾Ë†Ã¥ ¸Å'æÅ"ݍâ€Å¸Ã¦ ´ »Ã¨Æ' ½Ã¥ ¤ æ‚ ç„ ¶Ã¤ ¸â‚¬Ã¤ ºâ€º, 這æ ¨ £Ã§â€Å¸Ã¦ ´ »Ã§Å¡â€žÃ¦Å" ¬Ã§Å"Ÿç‹€æ…‹æ‰ èÆ' ½Ã§Å"Ÿæ £Ã¨ ¢ «Ã¤ º ºÃ¥â‚¬â€˜Ã§â„¢ ¼Ã¨ ¦ ºÃ¢â‚¬ . Enjoy the Life-Yu Hong. Febay.com. http://www.febay.com.cn/magazine/ArticleShow.asp?ArticleID=18433 (April, 2007) Yu Hong represents the reality of space on woman’s personal life and working life, elegant skills on portrait image, and female sensibility on woman’s experience. She also represents an inner desire of a female artist be responsible and conscious of women’s social status. Fourth, the present reality of sadness and pain of Chinese women who are suffering under a cruelly male-dominated world illustrate the image to challenge traditional patriarchy. In the works of Hung Liu, she has examined foot binding, practiced in China from the Song Dynasty until the beginning of the twentieth century. Many Chinese women’s feet were bound from birth to artificially confine their growth, distorting them into small, twisted fists that were sexually attractive to men. The painful, deforming practice of foot binding was used to make a Chinese woman walk in an extremely difficult way, but their mincing steps were considered delicate and lovely. Bound feet left women handicapped, which also ensured that they remained subservient. Moreover, it stressed the value of appearance while making a virtue of hiding one’s pain and suffering, making it a combination of esthetics and cruelty. In one piece of her work called â€Å"Bonsai†(1992), Hung Liu placed a photograph next to an anatomical line drawing showing the cross-section of a human body flanked on either side by Chinese characters. The only decipherable physiognomic attributes in this figural drawing are the heart, what appears to be a spine, and a suggestion of intestinal organs. What are most astonishing observations about this drawing are the absence of legs and the egg shape of the figure that almost mirrors the contour of the woman in the photograph. By placing these two images within the same interpretive context. Hung Liu has reinforced the notion of the woman’s incapacitated movement. Woman’s physical movement had been limited by the mutilation of her feet in the same way that a tiny bonsai tree is confined to restrict its growth. She had been bound by Chinese societal and cultural practices as an object of male gratification. Hung Liu shows the Chinese aesthetic tradition with cruel reality in male- dominated society. She also presents how unfair beauty standards were to women in the long period. As a Chinese woman, the piece would make a you think about your grand grandmother or grandmother suffering this pain in order to satisfy men’s taste and standard. Her art work is concerned about what has been severed from the surroundings. She touches the sadness and painful reality of women’s status in China. As a woman, she uses her sensibility to depict and voice for women’s gender role. From her paintings, not only narrate stories but also represent true reality in our society. The young artist Cui Xiuwen creates bold, sensitive caricatures of works as â€Å"Intersection Series†in 1998. In the piece, she records the full front side of a man’s naked body and dressed a young girl holding a rose. The painting is also done in connection with Cezanne’s colors and narrative story-telling and nervous relationship between female and male. Cui Xiuwen colors the girl’s dress and dog on green color. Green color symbolizes the protection from fears and anxieties connected with the demands of others (men). The rose is represented as girl’s pure virginity which is inviolate. Girl’s face also reveals innocence. On the contrary, man’ genitals are bit off by girl’s dog, blooding through his underwear. His extremely fearful and shocking face shows on his face with opened mouth and big eyes. In traditional Chinese society, patriarchy dominates the world and power. Genitals are the symbol of patriarchy. Cui Xiuwen boldly challenges to patriarchic society and tries to reverse the social position between female and male. In traditional Chinese art, art is confined to the men society. Women always played being viewed characters; men played viewer roles, but here, the artist breaks traditional art concept and reverses art presentation. The reversal shows Cui Xiuwen’s stance on the feminism. She makes up fictional story image to express her own challenging patriarchic desire. Intensive and extraordinary color and story throw a huge stone to the eyes of the audience. This also brings new dispute to contemporary Chinese society. Finally, concern about female and social issues, the year 1976 marked a shift in political, economic, and cultural policy, a shift that opened China up to the outside world. Afterward, society is changing rapidly. There are more and more social issues emerged such as teen-age crime and pregnant teen-age girl. Social value shifts to wrong path. Artists see this situation and use observations to bring the problem and question to audience. Yu Hong, she approaches new art presentation on â€Å"Figure and Ground†. The works portrays some young girls practicing gymnastics. Images seem simple, but paintings neatly summarized a sophisticated thread of thought the artist has been developing over the years, and they express that thought in a way that ties the works visually to certain aesthetic principles found in traditional Chinese painting. As a group, paintings represent a fresh vision and a new level in artist’s oeuvre. Each painting in the series depicts from one to three girls against a blank ground, bent into contorted positions as they practice gymnastics. Yu Hong bases the paintings on photographs she took at her daughter’s gymnastics class. The girls wear black leotards in addition to some combination of tight black pants, black and white striped shirt, and black slippers. â€Å"As the artist has said, the paintings â€Å"are all about girls doing artistic gymnastics. People, especially girls, have to change themselves to suit society.†The images are a simple but highly effective metaphor for the place of young girls in contemporary society.†17 Erickson, Britta. Figure and Ground: Yu Hong’s Gymnastics series. Yu Hong. Beijing, China: Loft. Although the students in Yu Hong’s daughter’s gymnastics class range in age from six to teenage, the age of the girls portrayed in Figure and Ground is narrowed to about nine to twelve. Those are the years when girls move from childhood to puberty and begin to come under the heavy pressure of society’s expectations. Teenage is a special period, and it is easy to lead a child to wrong path. Cui Xiuwen’s strength and certainty seems to have naturally transformed into a desire of the home, of having a family, and in a wish, difficult to admit but naturally inevitable, of maternity. This is what the images of her work, â€Å"Angel†, inspire. Artist approaches her own sensitive observation to current social issue related to young age girl. This work does not want to criticize a social and universal situation. It brings up the awareness and the realization of an individual as a singular feeling. Cui Xiuwen wants to express how a young mother, especially teen-age mother in China feels and what fears she has to face. She uses a young model to create strong emotions. Rows of white young girls, ghost like girls, and the same girl repeated over, and in the same state of pregnancy, but the figures are positioned at various scales, which express the different types of fear they have. Alone, staring at the horizon, scared and worried in a procession that goes from the Forbidden City and continues on what can be a highway such as the Beijing ring road o the expressway to the airport. This represents the time when society is changing, and girls are unable to go back to the prior time and have no choice but to go forwardt. They look at the front but only darkness is surrounding them. â€Å"â€Å"No longer wishing to see the outside world, reality, nor to be confronted by it or to have to deal with it†, is the artist’s explanation. Falling pregnant has distinctly different meanings and implications at different ages of woman. Both for the woman and it terms of how the external world judges the fact. Do they applaud or condemn. Cui Xiuwen asks â€Å"Can a woman choose to have a baby alone, single, because she bows to maternal instinct, and does not feel the need to be married?††18 Smith, Karen. Photo series â€Å"Angel†of 2006 and â€Å"One day in 2004†. Catalog of DF2 Gallery. Los Angeles:DF2 Gallery Cui Xiuwen brings the question to make the audience aware about the young pregnant girl’s problem rather than criticize her . She uses retrospective manner to represent the image on her works. Her works do not strike us, nor are they extraordinarily critical, but rather leave significant questions in our minds. Conclusion Yu Hong, Cui Xiuwen, and Hung Liu though are being in different generation groups; they all aim to represent female qualities and voice for women through their works. Yu Hong was brought into the world at the start of the Cultural Revolution in 1966, during which almost every aspect of Chinese life was being re-evaluated. When re-examining the historical evidence and cultural production of the period, it becomes difficult to imagine life being brought into the world during such a period of upheaval. In many cultural products that are marketed as personal memories, the political economic situation is placed directly into the foreground of the narrative, and personal details become a way of contextualizing the nation’s story. Yu Hong’s method of storytelling makes the personal much more central. Her generation, is a group existing between old (artists were trained as Russian realists) and young (artists were influence by emancipation movement) generations. Yu Hong’s works always present old tradition concept (family as central start point) and new social concept which is related to social issues. Cui Xiuwen has been called many things-avant-garde, transgressive, feminist, controversial, and even over-the-top-buts never creatively stagnant. She is born a new kind of human, who grew up in a relatively open social environment and came of age in the increasingly more globalised information age. Her paintings and later photographs are always with frank depictions of human sexuality and controversial issues, which present her ideas and feelings about the new modern society. But Hung Liu, she was born in 1948 in China. During the Cultural Revolution, she was sent to the country to work in the fields and be â€Å"reeducated†. Hung Liu studied the acceptable artistic style of Socialist Realism while in China. After immigrating to San Diego, she learned that it is important for an artist to think and that art is intertwined with, not separate from life. Her works depict the cultural mixing that takes place when an individual moves to a new country and also reality of hidden history in China. She much focuses on historical sources to present the image of reality. Three generation group of artists have their own unique presentations through their works and also are influenced on their own social backgrounds. But, female are the most important image and concepts of their commonality of works. By focusing on a female rather than on a male, three artists challenge a tradition of patriarchy. In the art pieces, the narrator (three female artists) and the protagonists (female image in works) are all women. As such, they present the viewer with a distinctively female view of the world. In historical constructions, women’s lives were generally touched only indirectly in contrast to their fathers, husbands, or brothers. Yu Hong, Cui Xiuwen, and Hung Liu show the women’s lives being immediately influenced by the external world and also their â€Å"existence†and â€Å"importance†in our society. History, society, and family have been great influences upon the development of female art in China. Because of the oppression that Chinese women have faced from a patriarchal society, female art exhibit intense emotions of sadness, pain, and revolution against the male dominated Chinese social stratification. There are many paintings, and photographs that depict the detrimental state that Chinese women were in during the more rigid periods of Chinese history. Various works of art from photos to paintings show female opposition against various Chinese traditions that have oppressed their gender for generations. Many female artists who driven by extreme emotion focused on work that mirrored their sense of retribution against male dominance. Art work that feature females â€Å"turning the tables†on men are common among more liberal female artists. There is also a lot of work that defy traditional Chinese art that is also patriarchal. Such works make use of non-conventional materials and subjects as a way to challenge the male dominated norms. This shows an image of the Chinese female artist as someone who wants to break free from an oppressive condition through the use of personal expression. The qualities linked with the use of the expression in art for them taking account of use of words importantly as the innermost artistic element, simplification, appropriation, representation of user or popular culture as well as art itself. The artists believe that art makes people realize the truth-at least the truth that is given to all to understand, and brings back eliminated women state in Chinese tradition. Chinese female artists have become more motivated to do art not only because of talent, but they convey reality and truth through art. In currently modern world, the majority is focusing on economic flourishing, globalization, and new technology. Most people have forgotten the essence of life and the simple things that make us live along with the many troubles of humanity and theses contemporary Chinese female artists, through exploring modern art are still preserving the real essence of making art and what art means to them, and the female artists also discover their own experience and find an appropriate way of expression in Chinese art. In relation to this, the female artist thus gives superior importance to the role of women in Chinese society. Many daring works aim to recognize female contribution to the family, government, and society which goes largely undistinguished in past generations. Here the Chinese female artists aim to open viewers’ hearts and minds to the true worth of the Chinese woman. Works of art that show how important Chinese women are also tend to show how much they are taken for granted. The Chinese woman artist was also found to be sensitive with the changing times. As society evolved over years of political, economic, and social change, so did female artistry change with it. In fact, female art can be concluded to be much more versatile than Chinese male art which is considered more traditional and unyielding to time. Another difference duly noted between male and female works of art in China was that females tend to express more depth and daringness in terms of depicting sensual subjects. Years of yearning for equality with their male partners have also implied years of dissatisfaction with how males see copulation rituals. The outlet of this repression can be observed with how meaningful and rich Chinese female works of sensual art are. The female artist takes her time to craft the intricate details that add flavor to a romantic scene. The female artist is able to bring out the humanity of a sensitive scene and does not confine the subject to feral lust. Instead, the focus is upon the intimateness of interaction that is not meant to sexually arouse but rather to emotionally move viewers. Lastly, the image of the Chinese female artist is one that is deeply devoted to the value of family. Influences from childhood memories can be seen in the works of many female artists and is regarded as a sense of personal beauty added to general themes. Those are the themes that provide the overall picture in which female art is framed. Chinese female art can be compared to a strong, demanding voice that echoes the grievances of an oppressed gender and outwardly shows how important it is and why people should take notice. It is forceful and bold, more than willing to reject the norms in order to convey its meaning to an internal society that it deems as largely unsympathetic to their concerns. At the same time, female art is delicate and sweet, showing not intent to please but a true expression of beauty. Lastly, it can be concluded that female art is greatly influenced by changing times and each generation of female artists have their own issues to face which are reflected in the works that they produce. Despite female art showing the capability of female artists, it is also a representation of quality artistic work. These qualities contents highly essence of female touch and voice, and also produce with strong female expression through the artworks. Female art is not only made by female artist, on contrary, it is an art with enthusiastic female quality. These five categories of female quality present the sense of female beauty and expression, artists’’ sensitivity of women, and extraordinary and skillful handling of paint. Observe the female art movement in the western society and Chinese society, there is no gap between them. In the west or China, the essence of quality of female art has maintained the same content and concept. In recently decade, female consciousness emerges and brings new concept to women. Women begin to understand themselves more and express their feelings to others. With a modern course of awareness in Chinese contemporary art in the global market, Chinese female artist are expectant that they will reach their ultimate objective; Chinese female artist must have a say. They will continue to explore and find a new way to express their art and voice for women, and the quality of female art will also get more abundant themes.
Saturday, October 26, 2019
Fanons Three Stages Related To The Indigenous People Of Chiapas :: essays research papers
Fanon's Three Stages Related to the Indigenous People of Chiapas The passage Shadows of Tender Fury by Subcommander Marcos of the Zapatista Army explains that the people of Chiapas are currently facing a period of revolution. The Zapatista army (consisting of Chiapian campesinos) has risen to combat the intolerant system of oppression by the Mexican government and has attempted to create a better lifestyle for the campesinos of Chiapas. Frantz Fanon's three stages to national culture; assimilation, self discovery, and revolution, relate to the struggle of the campesinos of Chiapas. In the last 500 years, the indigenous people of Chiapas have faced all three of Fanan's stages during their struggle for the development of a national culture. Five-hundred years ago when the first Europeans came in contact with the Mayan Indians, the first stage of Fanon's theory, assimilation, began formalizing. Throughout history the colonizers of Mexico were more technologically advanced than the natives. The Europeans had guns, cannons and massive ships. Not only did these possessions enable them to have greater brute force, but it took the white man to the level of the gods in the eyes of the natives. The colonizers could easily take advantage of this reverence. Fanon states "The effect consciously sought by colonialism was to drive into the natives' heads the idea that if the settlers were to leave, they would at once fall back into barbarism, degradation, and bestiality."(Fanon 211) The colonizers, believing the natives were savages that needed enlightenment, forced European culture upon them. The Europeans believed that to assimilate the natives to European culture was to help them progress. Therefore, to return to the old ways would have been regressing. When the natives objected to the forced assimilation, the colonizers smothered the rebellious efforts with stronger, more lethal weapons. Fanon compares the colonizer to a mother who restrains her "perverse" child so that he will not commit suicide.(Fanon 211) The analogy implies that the colonized must be protected (by the colonizer) from self-destruction. In the minds of the European colonizers, this idea of protection justified forcing assimulation onto the natives. Although the native campesinos (the poor people of Chiapas) haven't fully assimulated, they have adopted particular aspects of European and present day Mexican culture. The campesinos have learned the Spanish language and joined the catholic religion. An example of Fanon's first phase is when the colonizer tries to calm the angry, poor and exploited colonized people by promising social reform.(Fanon 207) These reforms promise things such as employment, welfare and education. According to Fanon, the government rarely follows through with pledged social reform. They find it easier to simply
Thursday, October 24, 2019
Compare and Contrast the 2 Brothers in Sonnys Blues
The story, Sonny’s Blues, describes the lives of two brothers growing up in Harlem in the early 1960’s. Sonny and his brother are different in the way the go about life in general. They were both raised in the same household, yet they grew up to be totally different people. As the story progresses we see that both brothers have troubles in their lives and we get to see how each thinks and acts when facing such ordeals. While the brothers differ in the way they internalize and cope with their problems, they both show selfish characteristics, but ultimately feel remorseful for not being in each others’ lives.The narrator though an educator, is not very good at verbalizing his emotions. He tends to be the person who keeps everything inside and lets all his emotions turn to resentment. When he found out his brother had been arrested he still couldn’t verbalize how he felt knowing his brother was a junkie, â€Å"I couldn't believe it: but what I mean by that i s that I couldn't find any room for it anywhere inside me. I had kept it outside me for a long time. I hadn't wanted to know.I had had suspicions, but I didn't name them, I kept putting them away†(Baldwin). For many years, the narrator has been stuffing his emotions down, ultimately resulting in complete disassociation from situations for example his mothers and daughters death Also after finding out that Sonny was arrested, he sees a kid that was friends with Sonny and automatically has anger for him even though realistically he had nothing to do with Sonny’s arrest, â€Å"But now, abruptly, I hated him. I couldn't stand the way he looked at me†(Baldwin).That narrator is unable to cope and deal with problems as they come, instead he acts like a child, sort of folding his arms and giving the silent treatment or automatically jumping to conclusions to put himself on a pedestal. Sonny runs away from his problems, both mentally and physically. Even though he is fa cing his problems head on as opposed to the brother who sweeps things under the rug, he does it in a destructive manner. Physically he ran away from Harlem to get away the stereotype of that area. At first he turns to music to fix his problems, and then heroin.Sonny left school, and joined the navy to get as far away from Harlem as he possibly could. When Sonny returns from prison, he tried explaining to his brother what music does for him, â€Å"†It's not so much to play. It's to stand it, to be able to make it at all. On any level†(Baldwin). He frowned and smiled: â€Å"In order to keep from shaking to pieces. â€Å"†He didn’t want to be a prisoner of Harlem anymore, but became a prisoner to heroin. At first Sonny did not feel that heroin was necessarily a bad thing, â€Å"†It makes you feel-in control.Sometimes you've got to have that feeling†(Baldwin). Sonny feels that even while all doped up on heroin, he feels in control of his life a nd his circumstances. Even though Sonny takes on different approaches in finding sense in his life; whether through the army, music, or heroin, they do not realistically solve any of his problems they just mask his confusion and indecision temporarily. In my opinion the narrator, is a very selfish man, he only cares about his feelings and not those around him.The narrator broke his promise to his mother to take care of Sonny, â€Å"Two days later I was married, and then I was gone. And I had a lot of things on my mind and I pretty well forgot my promise to Mama until I got shipped home on a special furlough for her funeral†(Baldwin). The narrator’s mother wanted the boys to be close, because they will only have each other when their parents pass away. Also, the narrator has a very judgmental outlook on people, he does not let anyone state their opinion and even if he does he isn’t truly listening.In an argument with Sonny, â€Å"’I hear you. But you nev er hear anything I say. ’†Sonny is obviously upset that his brother doesn’t respect his wishes to pursue a music career, along with wanting to go to the navy. Both brothers leave home, the narrator when he gets married, and Sonny when he decides to pursue his life as a musician. Neither of them take into account their mother, or each other for that matter when they go on living their lives. They both feel guilty for not being as close to each other as they could have been.Sonny makes that clear in a letter he writes the narrator, â€Å"’Dear brother, You don't know how much I needed to hear from you. I wanted to write you many a time but I dug how much I must have hurt you and so I didn't write†¦and I swear if I'd known what I was doing I would never have hurt you so’†(Baldwin). Sonny feels bad for abandoning the family, and turning to drugs and even though he does it after sometime, he has the courage to say that he’s sorry for his actions.Towards the end of the story, when the brothers are conversing in the apartment, the narrator realizes how his silent treatment and cold demeanor has affected his brother. â€Å"I realized, with this mocking look, that there stood between us, forever, beyond the power of time or forgiveness, the fact that I had held silence-so long! -when he had needed human speech to help him†(Baldwin). Just from a look that Sonny gives him, he understands that Sonny needed his guidance and support through all these years. In conclusion, both brothers are on a pretty harmful way of solving their problems.The narrator lets things fester inside until he explodes. Then there is Sonny while yes, he is trying new ways to manage, at the end of the day is running away from his problems. Both brother’s only worried about themselves and their needs, neither take in to account their families the people that need them the most. Luckily towards the end of the story they both sort of come to a mutual understanding of each other. I think they both realize neither of them will really change how they are, and they both just need to be understanding of each other.
Wednesday, October 23, 2019
Jails and Prisons
The Differences of Prisons and Jails Kenitra Evans CRJ303 Instructor Martin McAuliffe March 13, 2013 There are many differences between jails and prisons. They equally both house offenders but their day to day operations are very different. There are long histories about jails and prisons both and in this paper we will describe the differences of jails and prisons including how they operate and their functions.Many people hear the words prison and or jail, and they believe that both are one in the same but in reality they are very much different. Jails are correctional facilities that house offenders before or after they are sentenced for their crimes committed. Those individuals that are confined in jails are: * Individuals pending arraignment and awaiting trial, conviction, or sentencing * Probation, parole, and bail bond violators and absconders (Seiter,2011 pg 71) There are many different other reasons jails house inmates. Jails are full service facilities that offer security, fo od service, medical care, and offender programs and are therefore different from lockups, which are commonly located in police stations and hold people only for a short period of time, usually no more than forty-eight hours. †(Seitter, 2011) Sheriff’s and local governments oversee the day to day operation of jails and there are different jails such as the regional jail which were created because the basic operations of jails were becoming complicated for small counties and the need for funding to continue operations.There are about 3,600 jails in the United States. â€Å"The size of the jail population is a product of decisions made by various law enforcement entities that the jail serves, the courts, and other segments of the criminal justice system. The size of the jail population is also affected by local, state, and federal laws; crime rates; and public attitudes about crime. †(nicic. gov) The length of stay and those admitted to jails are quite different fro m prisons. There have been almost 9 to 11 admissions to jail and the average length of stay is 15 to twenty days.Sometimes a person stays longer if they are still fighting a case thus pushing out their court dates which extends their stay provided they cannot afford bail. â€Å"During 2003, 686,437 inmates were admitted to state and federal prisons, 656,320 inmates were released, and the average length of stay for released inmates was 36 months. The jail system booking and release procedures are on a constant whirlwind with bail bonds and so forth. There are different jails as well such as state jails and county jails.In state jails an inmate can spend no more than two years maximum. Prisons Prisons are run by state governments and the Federal Bureau of Prisons. There are only about 100 federal prisons, detention centers, and correctional institutions in the U. S. Prisons were created to house inmates that are serving a sentence of one year or more that are convicted of crimes. Pri sons offer more to inmates such as work programs, Halfway houses and other educational programs that could possibly benefit the offender.These sorts of incentives are not offered in jails because inmates are usually serving shorter sentences. There are different facilities such as BOP operated prisons, long term contract facilities and jails/short term facilities. Many offenders in prison are set in place by their security levels. Some are deemed as low risk, medium risk or high risk offenders which determine where they are housed. The prison budget has been over exceeded with the operations and also building more prisons to prevent overcrowding. Corrections is the fifth-largest area of state spending after Medicaid, secondary education, higher education and transportation. State spending on prisons has swelled as the nation’s jail and prison population has climbed to 2. 3 million people, or about one in every 100 adults. But grim budget realities are forcing state lawmakersà ¢â‚¬â„¢ hand. †(pewtrusts. org) There is a difference in jails and prisons as well as how they are operated. Prisons house offenders that have been convicted of crimes whereas jails house those awaiting trial as well as those serving shorter sentences.Prisons and jails have come a long way and there will be more changes to come with the world’s crime rate as it is. References At Least 23 States Cut Funding for Prisons This Year, August 11, 2009 The Pew Charitable Trusts http://www. pewtrusts. org/our_work_report_detail. aspx? id=54481 Corrections: An Introduction; Richard P. Seiter 3rd edition 2011 Upper Saddle River New York Jail Resource Issues What Every Funding Authority Need to Know, Gary M. Bowker February 2002 http://static. nicic. gov/Library/017372. pdf Jails and Prisons The Differences of Prisons and Jails Kenitra Evans CRJ303 Instructor Martin McAuliffe March 13, 2013 There are many differences between jails and prisons. They equally both house offenders but their day to day operations are very different. There are long histories about jails and prisons both and in this paper we will describe the differences of jails and prisons including how they operate and their functions.Many people hear the words prison and or jail, and they believe that both are one in the same but in reality they are very much different. Jails are correctional facilities that house offenders before or after they are sentenced for their crimes committed. Those individuals that are confined in jails are: * Individuals pending arraignment and awaiting trial, conviction, or sentencing * Probation, parole, and bail bond violators and absconders (Seiter,2011 pg 71) There are many different other reasons jails house inmates. Jails are full service facilities that offer security, fo od service, medical care, and offender programs and are therefore different from lockups, which are commonly located in police stations and hold people only for a short period of time, usually no more than forty-eight hours. †(Seitter, 2011) Sheriff’s and local governments oversee the day to day operation of jails and there are different jails such as the regional jail which were created because the basic operations of jails were becoming complicated for small counties and the need for funding to continue operations.There are about 3,600 jails in the United States. â€Å"The size of the jail population is a product of decisions made by various law enforcement entities that the jail serves, the courts, and other segments of the criminal justice system. The size of the jail population is also affected by local, state, and federal laws; crime rates; and public attitudes about crime. †(nicic. gov) The length of stay and those admitted to jails are quite different fro m prisons. There have been almost 9 to 11 admissions to jail and the average length of stay is 15 to twenty days.Sometimes a person stays longer if they are still fighting a case thus pushing out their court dates which extends their stay provided they cannot afford bail. â€Å"During 2003, 686,437 inmates were admitted to state and federal prisons, 656,320 inmates were released, and the average length of stay for released inmates was 36 months. The jail system booking and release procedures are on a constant whirlwind with bail bonds and so forth. There are different jails as well such as state jails and county jails.In state jails an inmate can spend no more than two years maximum. Prisons Prisons are run by state governments and the Federal Bureau of Prisons. There are only about 100 federal prisons, detention centers, and correctional institutions in the U. S. Prisons were created to house inmates that are serving a sentence of one year or more that are convicted of crimes. Pri sons offer more to inmates such as work programs, Halfway houses and other educational programs that could possibly benefit the offender.These sorts of incentives are not offered in jails because inmates are usually serving shorter sentences. There are different facilities such as BOP operated prisons, long term contract facilities and jails/short term facilities. Many offenders in prison are set in place by their security levels. Some are deemed as low risk, medium risk or high risk offenders which determine where they are housed. The prison budget has been over exceeded with the operations and also building more prisons to prevent overcrowding. Corrections is the fifth-largest area of state spending after Medicaid, secondary education, higher education and transportation. State spending on prisons has swelled as the nation’s jail and prison population has climbed to 2. 3 million people, or about one in every 100 adults. But grim budget realities are forcing state lawmakersà ¢â‚¬â„¢ hand. †(pewtrusts. org) There is a difference in jails and prisons as well as how they are operated. Prisons house offenders that have been convicted of crimes whereas jails house those awaiting trial as well as those serving shorter sentences.Prisons and jails have come a long way and there will be more changes to come with the world’s crime rate as it is. References At Least 23 States Cut Funding for Prisons This Year, August 11, 2009 The Pew Charitable Trusts http://www. pewtrusts. org/our_work_report_detail. aspx? id=54481 Corrections: An Introduction; Richard P. Seiter 3rd edition 2011 Upper Saddle River New York Jail Resource Issues What Every Funding Authority Need to Know, Gary M. Bowker February 2002 http://static. nicic. gov/Library/017372. pdf
Tuesday, October 22, 2019
The Impacts of Chernobyl Nuclear Accident in the US essays
The Impacts of Chernobyl Nuclear Accident in the US essays The Impacts of Chernobyl Nuclear Accident in the US Nuclear energy used to be a dream energy source because it did not emit air pollutants as long as they were operating properly. The US government and Utility Companies invested billions of dollars to build and develop nuclear power plants. However, its magic was collapsed on April 26, 1986. A series of explosions in a nuclear power plant in Chernobyl blew the massive roof off the reactor building and flung radioactive debris and dust high into the atmosphere to encircle the plant. Although the Chernobyl accident was thousands of miles away and did not cause direct damage to the US, we were able to experience the tragedy through the media. This accident took thousands of lives and contaminated the land, but it resulted in bringing the following positive effects in the US: people became aware of the risks involved with nuclear power, it led to public opposition, and the government and utility companies tried to find cleaner and safer alternative energy sources. Through the media, people became aware of the risks involved with using nuclear power as an energy source. Before the accident, the majority of people were ignorant in regards to nuclear power, and it was only understood among the physicists. However, it became public knowledge after the incident. The media reported how the system worked. The heat, which was generated by a nuclear fission chain reaction, can produce high-pressure steam, which spins turbines that in turn generate electricity. Also, the media reported the serious damages of the accident and visualized them. The explosion took 32,000 lives, contaminated 62,000 square miles of the land with radioactivity, and a half-million people suffered from cancers (Miller, 1999, p.540). In spite of this distant accident, such virtual experiences through the media generalized more knowledge of nuclear power and its risk. ...
Monday, October 21, 2019
Castles of Wales essays
Castles of Wales essays Chepstow which is a Norman castle was constructed beginning in 1067. This was less than a year after the new king, William the Conqueror, was crowned. It was built high over the river Wye in Southeast Wales. The Normans werent the first to realize the strategic value of this position. We know this because the arch above the main doorway into the hall was built by bricks taken from a Roman fort that used to stand close by. This position was an advantage partly because it allowed allies to bring supplies to the castle during times of battle and siege. They brought these supplies through the river. All through the Middle Ages Chepstow remained the center of the military and also administrative power. In Strigoils Marcher lordship. Chepstow was built by William fitz-Osbern, a loyal Norman Lord. A few months after the battle of Hastings in 1066 William fitz-Osbern then lord of Breteuil in Normandy was created earl of Hereford by William the Conqueror. He was stuck with the job of subduing the southern Welsh borderlands. Before his death in 1071 he had completed the rectangular keep. This is the earliest dateable secular stone structure in Britain. Fortresses built by fitz-Osbern were the vehicles that the new king used to obtain control over his newly conquered lands. Chepstow became the main launching point for journeys that over time quieted the rebellious people. Chepstows Great Hall, which was started in 1067, is the oldest surviving stone fortification in Britain because of this and some other facts its important to Britains history. Other castles built at this time have been long gone, but here at Chepstow it is possible to see and feel the remains. Inside the Great Hall men with considerable power planned strategies with other Welsh Marcher Lords. They mapped out invasions to gain control of the country that was still ruled by groups of powerful Princes. ...
Sunday, October 20, 2019
Hyphenating Prefixes
Hyphenating Prefixes Hyphenating Prefixes Hyphenating Prefixes By Maeve Maddox A reader who works with legal transcription has the following question: There seems to be a trend towards having the prefixes and suffixes separate from the modified noun instead of being attached or hyphenated. What is proper? Some examples are non negotiable, post surgery, post doctorate, age wise. The examples given present a variety of forms, not all of which represent a prefix+noun combination. The prefix non- is added to nouns of action, condition, or quality with the sense of â€Å"absence, lack of,†or simply â€Å"not.†for example, non-Catholic. Non- is affixed to adjectives to make them negative. Whether to add a hyphen depends upon whether American or British usage is being observed. The OED hyphenates many words that M-W shows written as one word. For example, M-W gives nonnegotiable, but OED has non-negotiable. When it comes to another word in the reader’s list, however, both the OED and M-W agree with postdoctorate, although both prefer postdoctoral. The prefix post- means, â€Å"after†or â€Å"behind.†It is added to adjectives without a hyphen: postcolonial, postsurgical. Post can be used on its own as a preposition meaning, â€Å"after†: â€Å"Your mouth will be extremely dry post surgery.†In this context post is a separate word. Added to a noun to create a descriptor, however, post would require a hyphen: â€Å"Post-surgery care is vitally important.†The suffix -wise means, â€Å"in the manner of†or â€Å"as regards,†as in clockwise, lengthwise, foodwise, etc. This combining form is never separated from the word it’s added to, either by a hyphen or by a space. It can have other meanings, of course. For example, a person is said to be â€Å"penny wise, but pound foolish.†In this context wise is a word that means â€Å"possessing wisdom†; it is not a suffix. Hyphenation is not an exact science. Authorities differ regarding the necessity of a hyphen, but I’m reasonably sure that all agree that suffixes aren’t free agents that can stand apart from the words they belong to. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Style category, check our popular posts, or choose a related post below:75 Contronyms (Words with Contradictory Meanings)How to Punctuate Descriptions of Colors10 Tips for Clean, Clear Writing
Saturday, October 19, 2019
Toyota's Marketing Strategy in China Essay Example | Topics and Well Written Essays - 2000 words
Toyota's Marketing Strategy in China - Essay Example Toyota was very optimistic that it would succeed in the Chinese market without a problem (Bremner & Roberts, 2006). But therein lay the problem. Toyota used the same marketing strategies that it had used in Japan to capture the Chinese market, which in the end did not work out so well for Toyota in China. Â In retrospect, Toyota decided to then use the strategy it had used when entering and marketing in the United States and found that it had more success than it had when using the same strategies that it used in the Japanese market. There are quite a few reasons why the strategies used in Japan failed and why the strategies used in the United States worked well for the organization when entering, marketing and penetrating the Chinese market. Â In this document, the author will look at the marketing strategies used by Toyota in the Japanese and United States markets. Then compare and contrast the two different strategies, analyze what worked in China and what didn't work and finally conclude why the strategy used in the United States worked for Toyota in China but the strategy used in Japan didn't work for it. Â The Toyota auto company was founded during the World War II era in Aichi, Japan and since then has been a leader in the automotive industry in the country. During the war years, the organization is known to have manufactured trucks to keep the war effort in the country going. Â Being a homespun company the organization had no difficulty in marketing, competing and penetrating the Japanese market and used many traditional methods of marketing at the inception and even today it uses a conventional marketing strategy when marketing in Japan in comparison to what it uses in the United States. Â For one thing, the organization has always positioned its products as small, economical and of high quality in the market. Further, the organization is a local organization and did not have to battle with other international brands in a foreign country when marketing in its own country but marketed the product as one that was manufactured at home and created brand loyalty in that manner. Â The organization sells its products through its dealerships that are manned by 40 - 50-year-olds and emphasizes on innovation and technology that is now becoming more and more green friendly. The high-end models like the Lexus are positioned as high-end luxury vehicles and don't need to be aggressively marketed because they don't face tough competition from the likes BMW or Mercedes Benz (Pollack, 1996). Â Further the organization has been in existence as long as its chief competitor Honda and has overtaken the market in fuel efficiency thanks to some of its models like the Toyota Prius, which has been touted for its excellence in the hybrid car market, which has led only to the increase in customer confidence and loyalty for the Toyota brand in the Japanese car market with every passing decade. Â
FOUNDATIONS FOR RESEARCH Essay Example | Topics and Well Written Essays - 1500 words
FOUNDATIONS FOR RESEARCH - Essay Example To amend this gap in knowledge about mood disorders in adolescents, it has been claimed that theoretical perspectives should develop from adolescents’ understanding and experiences (Griez 2005: 47). If not, the theorising process will continue to be removed from the perspectives of individuals who have really experienced mood disorders (Wolfe & Mash 2008: 83). The objective of the aforementioned study was to generate a theoretical perspective that essentially represented the perceptions of adolescents who had experienced mood disorders. Lewis (1995:372) investigated, employing qualitative methods, how participants personally experienced mood disorders, how they reached and perceived the label of mood disorder, and how they understood their experiences. In addition, Karp (1996: 91), in Speaking of Sadness, explained the identity-changing process that participants experienced as they eventually viewed themselves as depressed and carried on theorising about their own selves and h ow they acquired their mood disorders. In this paper, a thorough discussion on the different features of the grounded theory method will be provided by presenting an original research article, Meadus’s (2007) study, which contains the grounded theory method. The Application of Grounded Theory in Mood Disorder Research The grounded theory method, according to Straus & Corbin (1990), the goal of which is to form a theory that is closely related to the reality of the adolescents studied was used in the study of Meadus (2007). Through the grounded theory method, theory arises from evaluating the actual statements given by the participants, and is hence genuinely ‘grounded’ in them (Strauss & Corbin 1990: 17). However, the problem in using an inductive research method for mood disorder research, according to Griez (2005: 72), is that it inevitably results in analyses that go beyond the statements given by the participants. Stiles (1993) suggests that participants give relevant information to the researcher, but that the researcher should analyse that data to form a reflective theory. Meanwhile, reflexivity obliges the researcher to thoroughly think about the research process, which involves probing how strongly the interpretations of the researcher fit with the perspectives of the participants (Rennie, Phillips, & Quartaro 1988: 143). The grounded theory method was employed in the study of Meadus (2007) because it allowed a methodical analysis that enabled the creation of a theoretical perspective that was strongly connected to, otherwise ideally representative of, the explanations of the participants. According to Merriam (2009: 30), data analysis in grounded theory is performed using the constant-comparative method in which bits and pieces of data are compared in terms of their similarities and differences. Merriam (2009: 31-32) furthers that part of the data analysis is the identification of a core category. The core category is the central c oncept where all data revolves around and this is used to develop the substantive theory. Emphasis is given on the importance of identifying categories, hypotheses, and theories from the patterns seen among the relationships formed from the data gathered. To better understand the features of a grounded theory, the research of
Friday, October 18, 2019
Business strategy of General Motors Essay Example | Topics and Well Written Essays - 2000 words
Business strategy of General Motors - Essay Example This research will begin with the statement that the automobile industry is among the ancient companies whose presence has the effect in the economy. Although experiencing a process of evolution over time, the automobile industry boasts of dominance in the economy. Statistics support this assertion, given the fact that automobile industries employ almost 10 percent of the entire American population. The present research has identified that General Motors is among companies that continue to grow and develop in tremendous lengths. Thanks to excellent strategic plans based on powerful long-term goals, the multinational has spread its wings with a vast geographical presence in all the continents. The author has rightly presented that from America, where the company was founded in the early 20th century, over and across to Africa where dealer shops have been established, General Motors satisfy a lot of customers. Dealing with a wide range of products, the company mainly assembles vehicles and provides spare parts. This paper illustrates that being the mother company to such subsidiaries as renown Chevrolet, Buick, and even the Cadillac, General Motors specialize in personal vehicles; this way its customer bracket entail individuals seeking comfort and convenience, as that their vehicles are customized in order to satisfy those very needs. By doing that, the company manages to maintain its customers as well as attracting potential buyers.
Based on clinical practice scenario (wound care), discuss the extent Literature review
Based on clinical practice scenario (wound care), discuss the extent to which evidence based practice was utilised, including re - Literature review Example These processes encompass the concept of wound care. Wound care is a crucial part of the medical practice. It prevents infection and blood loss, as well as further complications for the patient. There are various techniques which health professionals can apply in order to manage wounds. Such management strategies are supported by various studies and evidence in actual practice. This study shall consider literature and supporting researches in wound care, with particular attention given to patient preference and evidence-based practice. With the variety of applications which can be used for skin care, there is a need to consider the best type of care according to patient response and outcomes. Wound care All injuries trigger a series of events which are involved in healing, characterized by the arrival of platelets and inflammatory cells at the site of injury (Diegelmann and Evans, 2004). These cells also give off signals on the influx of connective tissue cells and on the increase of new blood. Chemical signals for these are the cytokines or growth factors. The fibroblasts are the connective tissues which mark collagen deposition essential for tissue injury (Diegelmann and Evans, 2004). In response to injury, platelets come into contact with exposed collagen. With platelet aggregation, clotting elements are released causing the formation of a fibrin clot at the injured area. The fibrin clot is considered the provisional matrix upon which healing is built on. Platelets facilitate clotting which helps control bleeding and loss of fluids and electrolytes. As well as releasing the cytokines, which initiate healing, these platelets also release the platelet-derived growth factor (PDGF) and transform growth factor-beta (TGF-B). Through the PDGF, chemotaxis of neutrophils, macrophages, smooth muscle cells, and fibroblasts is initiated (Diegelmann and Evans, 2004). These platelets also trigger the mitogenesis of the fibroblasts and smooth muscle cells. The TGF-B also t riggers the healing cascade by drawing in the macrophages and prompting them to release more cytokines (including the fibroblast growth factor-FGF, PDGF, TNFa and the IL-1) (Diegelmann and Evans, 2004). The TGF-B supports the chemotaxis of the fibroblast and the smooth muscle cells; it also regulates collagen and collagenase expression (Diegelmann and Evans, 2004). The overall result of these signals is a strong response of the matrix which then supports the release of cells which help ensure rapid formation of new connective tissue at the injured area during the proliferative stage of healing which follows the inflammatory phase (Diegelmann and Evans, 2004). Within 24 hours of the injury neutrophils are the common markers in the injury site. This neutrophil removes foreign material and bacteria in the wound site. Bacteria send of chemical signals which attract neutrophils, ingesting these through phagocytosis. These neutrophils will fill themselves with bacteria and make up the lau dable pus in the injury site (Diegelmann and Evans, 2004). The mast cell is a market cell crucial to wound healing. These cells give off granules made up of enzymes, histamine, and numerous other active amines; they are also responsible for the signs of inflammation seen around the wound. The active amines in the mast cells trigger nearby vessels to become leaky; this causes the easy passage of mononuclear cells in the injured area (Diegelmann and Evans, 2004). Fluids also gather at the wound site and with this, signs of
Thursday, October 17, 2019
Role, Significance and Impact of Multi-Agency Working in Childcare Essay
Role, Significance and Impact of Multi-Agency Working in Childcare - Essay Example In work with disabled children, families experience better relationships with services along with improved level of access to them and improved quality of life with reduced stress (Sloper, cited in Improving outcomes for children 2007). This is also true in the aspect of healthcare. In projects targeting mental health of children, there has been a reduction in the proportion of children with clinically significant problems, with children showing better involvement with school (Kurtz & James, cited in Improving outcomes for children 2007). Multi-agency working involves patient counselling, taking a great deal of time and care in dealing with children as well as parents when necessary. The counsellors are facilitators of information who helps sensitive sharing of information in a very respectful manner without violating confidentiality (McGinnis 2008, p.128). Collaborative working and information sharing among the different services is a key factor in enhancing children's welfare. Frequent and personal contacts of practitioners from different agencies with each other help resolve issues of concern (Cleaver et al. 2008, p.105). Collaborative working of services helps recognise the different needs of a child and the relationships between the different aspects of a child's life. Information sharing helps in early identification of children's additional needs to help them reach their potential. Identifying with parents and sharing information with them play a key role in understanding children and enhancing their well-bein g. Videotapes of children both at play and at work, at home and in school, can be exchanged which help to keep parents up-to-date on the children's progress as well as help staff to understand certain behaviour of children which they would have found difficult to comprehend. Information sharing also helps the staff in having an insight into the children's cultural background. This can help in the children's development in the cognitive and socio-behavioural aspects (Whalley & Dennison 2001, p.137). It is the goal of the Government that by 2010 all schools will provide access to a core offer of extended services including childcare, study support activities, parenting support and specialised support services with wider community access to information and communication technology, sports and arts facilities, and adult learning (Extended schools 2009). Extended support can bring about a significant improvement in children by identifying their individual problems, which they face outside of school and are intractable, and tackle them effectively, thus enabling teachers to give more attention to teaching. These services can also support parents through information sessions and parenting programmes, thus ensuring better parental involvement in the children's activities. Positive impact in preventative work Multi-agency involvement in preventative work has brought about positive results in children including improved behaviour, better relationships, enhanced education and increased well-being. The results of the On Track programme effectively demonstrate these effects. On Track is a research-based preventative programme for crime reduction, which through multi-agency partnerships
Critique of an article Example | Topics and Well Written Essays - 500 words
Critique of an - Article Example In connection to this, the author clearly expounded on the two points in the text of his article as outlined in the introduction. The study was carried out to further expound on types of leadership styles that crop within self-managed teams. In achieving this, the author used individuals of almost the same age in the study in order to minimize errors as much as possible. The experimental method used in carrying out the study included 80 randomly selected students in 20 experimental groups (Solansky, 2008). Control variables were also used to represent possible variations. In addition, the information about the samples and what each sample was supposed to have was also provided in order to enhance the success of the experiment. The data collected was based on the observations the instructor made on each group as well as the surveys that were filled by team members. Additionally, analysis of variance was employed in testing leadership processes between teams practicing shared leadership and teams that depend on one leader (Solansky, 2008). All these methods provided detailed information that justified the hypotheses of the research. This was evidenced by the tables that were provided to show mean differences. The findings showed that teamwork enhances competence as well as transaction of ideas when leadership is shared. This was also evidenced in the text of the article as well as on the tables provided. The limitations of the research that was carried were also discussed because of the possible challenges associated with the laboratory environment on the samples. Among the challenges included the possibility of teams facing management problems as a result of controlling individuals with different perspectives. In addition to this, the use of a small sample was also a limitation to the study; it increased the likelihood of occurrence of many errors (Solansky, 2008). Apart from the conclusion of the article matching
Wednesday, October 16, 2019
Role, Significance and Impact of Multi-Agency Working in Childcare Essay
Role, Significance and Impact of Multi-Agency Working in Childcare - Essay Example In work with disabled children, families experience better relationships with services along with improved level of access to them and improved quality of life with reduced stress (Sloper, cited in Improving outcomes for children 2007). This is also true in the aspect of healthcare. In projects targeting mental health of children, there has been a reduction in the proportion of children with clinically significant problems, with children showing better involvement with school (Kurtz & James, cited in Improving outcomes for children 2007). Multi-agency working involves patient counselling, taking a great deal of time and care in dealing with children as well as parents when necessary. The counsellors are facilitators of information who helps sensitive sharing of information in a very respectful manner without violating confidentiality (McGinnis 2008, p.128). Collaborative working and information sharing among the different services is a key factor in enhancing children's welfare. Frequent and personal contacts of practitioners from different agencies with each other help resolve issues of concern (Cleaver et al. 2008, p.105). Collaborative working of services helps recognise the different needs of a child and the relationships between the different aspects of a child's life. Information sharing helps in early identification of children's additional needs to help them reach their potential. Identifying with parents and sharing information with them play a key role in understanding children and enhancing their well-bein g. Videotapes of children both at play and at work, at home and in school, can be exchanged which help to keep parents up-to-date on the children's progress as well as help staff to understand certain behaviour of children which they would have found difficult to comprehend. Information sharing also helps the staff in having an insight into the children's cultural background. This can help in the children's development in the cognitive and socio-behavioural aspects (Whalley & Dennison 2001, p.137). It is the goal of the Government that by 2010 all schools will provide access to a core offer of extended services including childcare, study support activities, parenting support and specialised support services with wider community access to information and communication technology, sports and arts facilities, and adult learning (Extended schools 2009). Extended support can bring about a significant improvement in children by identifying their individual problems, which they face outside of school and are intractable, and tackle them effectively, thus enabling teachers to give more attention to teaching. These services can also support parents through information sessions and parenting programmes, thus ensuring better parental involvement in the children's activities. Positive impact in preventative work Multi-agency involvement in preventative work has brought about positive results in children including improved behaviour, better relationships, enhanced education and increased well-being. The results of the On Track programme effectively demonstrate these effects. On Track is a research-based preventative programme for crime reduction, which through multi-agency partnerships
Tuesday, October 15, 2019
Business Description For Students Case Study Example | Topics and Well Written Essays - 750 words
Business Description For Students - Case Study Example The business will identify ways to advertise and promote customers in order to reduce competition and to be known widely. Several pricing strategies will be used to determine the price of different cars depending on size. Sales tactic will be adopted to increase the number of net sales. Being a sole proprietorship the business will be managed by the owner ,it will also employ other personnel with the required qualification they include; the manager, cashier(accountant ), cleaners and general workers there will be recruitment and training programs for the employees .employees are to be fairly paid for them to be satisfied, incentives will be used in order to motivate the workers ,the business has acquired license, permit, and bylaws to run smoothly without government interruptions. Necessary support service like banks, postal services, insurance and health services are included for easy run For business to run, various production facilities are to be purchased basing on the size and capacities required. The estimated amount of the machines start the is$ 1.3 million .the scanning machine at the entrance will be unique to ensure safety and attract customers .the, monthly labour in terms of wages and salaries is to be $50000 .the business will have various rules and regulation that will affect the business from running smoothly such as health regulation and operation time The operation cost for the business is to be$ 27500 and the working capital will total to 56000 the projected cash flow statement for the year shows the total sales for the Year to be $482580 the purchases are 1415000.
Monday, October 14, 2019
The Prosecutors by Gary Delsohn Essay Example for Free
The Prosecutors by Gary Delsohn Essay The Prosecutors by Gary Delsohn, depicts American justice at its best and worst, It reveals the secrets of the current legal system with information that are more awful and realistic than any small screen show or any thriller. The Prosecutors gives an insight into the real-life lawful dramas that are seen daily in our courtrooms. It informs, alerts, amuses, and even makes us angry at times about the miscarriages of justice, but eventually shows in harsh detail the particulars that go into the working of our legal system. Gary Delsohn, was for the first time allowed access to spend a year in a metropolitan prosecutors office. The author presents a fascinating; secret look at how Americas more overstrained legal system really operates. Perceived by John OMara, a hard-hitting, cynical homicide chief, and Jan Scully, a proficient District Attorney, The Prosecutors’, illustrates these committed civic servants at work. The cases that these two people come across in this one-year are unforgettable, a simple robbery that goes bad breaks down a family forever, an acclaimed doctor is charged for the murder of his own daughter. A twenty-five-year-old bitter case blows up and brings terrible pressure and inquiry to the D.A.s office, which involves Patty Hearst and the SLA (Symbionese Liberation Army). A top-ranking state prosecutor’s son faces a possible death sentence for abduct, rape, and slaughter.            The most intriguing cases of all these were definitely the 1975 robbery and murder case at the Sacramento-area bank. It’s this SLA bank robbery case that clearly stands out in â€Å"The Prosecutors,†and understandably so. For almost twenty-five years, the family of the victim, a 42-year-old mother of four children, who was fired at and killed during the robbery, had tried hard to bring the killers to justice, the family members had always suspected the killers to be associates of some puzzled terrorists who abducted the newspaper heiress Patty Hearst in 1974. But Myrna Opsahl’s family members never got any respite from the case, because the office of the district attorney couldn’t get adequate proof to try the case, even after Hearst’s 1982 journal revealed, what had actually taken place at the Crocker National Bank in April 1975.  â€Å"For the Sacramento County Sheriff’s Department and the Sacramento district attorney’s office, the Carmichael bank robbery is one of those hideous failures that just won’t seem to go away,†(Gary Delsohn).     For John O’Mara, the homicide chief in the district attorney’s office, the case is terrifying, with no proper proof and unsatisfied family members of the victim, particularly one of Myrna Opshal’s sons, Jon Opsahl. He wouldn’t let the case pass on and frequently disapprove of the Sacramento prosecutors for messing up the case. O’Mara is one of the important and most vibrant character in the book, although in the beginning the book port ray’s him as a picture of a graying prosecutor. But Delsohn supports his portrayal of O’Mara, presenting why a person with so much knowledge was so apprehensive of taking the SLA robbery case. In the end, it’s Delsohn’s access to the district attorney’s office, which gives us much information about this case and how the law operated during that time. Taking the case of the Bread Store trial, a failed theft that twisted into a murder when the accused, Rick Brewer, an ex-convict who had formerly stalled the same setting, fired from a shotgun into the store’s manager Jason Frost, after finding out that the whole amount from the days proceeds had been put down in a floor safe. The Bread Store case is symbolic of the vulnerabilities that prosecutors must go through when they take the trial of murders anywhere in the country, considering this lawbreaking murder where the person who drives the car in which the accused escapes is as guilty as the person who committed the crime. Taking the case of Nikolay Soltys, the security guard who was an immigrant from Ukraine who stabbed six of his relatives to death, which included his three-year-old son and pregnant wife. Prosecutors had a tough time when Nikolay killed himself to avoid trial. An average day in a city District Attorney’s office is tough, where work can take its toll on the people who do it. Most of the cases coming into the DA’s office are slaughter; children inflicted to child abuse, rape, robberies, drug deals, and fake currency rackets. It is a never-ending process of new crimes coming in day to day. This type of work cannot even be taken home and shared with your family. The prosecutors think about crimes, while sitting, standing, eating and drinking, these people are not even spared during their lunchtime, passing on shocking snaps of the crime scene. A prosecutor’s job is a tough nut to crack, as their relationship with they families get soured, because of their spending long hours in the office almost on a daily basis. During the course of his stay at District Attorney’s office, Delsohn reminds us that trials have become very rare these days. More than eighty five percent of the 36,000 crimes and misbehaviors charged every year by the Sacramento DAs office ended up with a plea agreement before the trial, as settlement. In the DA’s office at Sacramento, it mostly differs depending on who the in charge people are, but sometimes there is a strong and rarely insignificant competition between the sheriff, the FBI, the local police and the district attorneys office. But comparing the state attorney general and U.S. Attorneys office, the enmities and self-esteem battles can be unpredictable. Particularly the district attorneys office should do proper investigation before impulsively accepting what the police and feds say, about who should be detained and charged. Prosecutors have to keep the police under control to see that the case is prosecutable and concrete. Bad things can happed if prosecutors lose their independence and doubts. Gary Delsohn feels that the most important part of being an insider in the DA’s office for a year was that, he had the advantage of seeing the prosecutors’ working procedures in a manner that the media and an average outsider could not. The District Attorney’s office has been a witness to innumerable heartbreaking stories over the years, but theres hardly anything to compare with the moving release that comes after a long, stress filled murder trial, when the murder victim’s family finally speaks. The DA’s office is always humming with people, people who are related to horrible crimes, people who are innocent, but mistakenly accused of crimes, real criminals and their families etc. Works Cited Gary Delsohn, Inside the DA’s Office, Jurist, 22 February 2007. http://jurist.law.pitt.edu/forum/forumnew126.php.  Critic Reviews, Redding Book Club, 22 February 2007. http://bookclub.redding.com/reviews.cfm. The Prosecutor, Traveling Sounds.com, 22 February 2007. http://www.travelingsounds.com/Title.aspx?titleId=3212. Court tales make an arresting read, Rocky Mountain News, 22 February 2007. http://www.rockymountainnews.com/drmn/books/article/0,1299, DRMN_63_2164233,00.html.
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