Assignment Essay Example | Topics and Well Written Essays - 500 words - 21

Assignment - Essay good exampleWith this, an contrivanceist can choose a particular period of time which he wants to reflect in his art and his audience can easily identify this period of art by looking at his painting. Motion, on the other hand, refers to an artists ability to give the illusion of movement in his plunk of art, even if in reality the piece of art is not moving.A closer examination of his art reveals that most of his work, though still expressed some devise of motion. This can be attributed to his unique form of painting, which involved pouring, and dripping paint on canvas (Poich 1). By doing this, pollocks pieces of art, such as the Blue Poles (1953) and the Number 8 (1949), give a sense of motion as the paint seems as though it is moving across the canvas. While observing these two pieces of art, one can almost tincture the frenzied energy of the different colors of paint as they are pulled by gravity. Pollocks paintings can be assumed to demonstrate the inte raction of the dripping paint to the canvas, which represents its surrounding. With relation to time, Pollocks pieces of art were known to capture a specific period of time with which the artist had a passion towards. His painting, The Moon-Woman Cuts the Circle (1943), is an example of the artists use of time in his pieces of art. Based on a North American Indian myth, his audience can relate to the story of the Indian cleaning woman (Poich 1). The audience can see the vibrant nature of the woman in the painting, as well as, illustrates the situation that she holds, and for that reason, examines femininity from a different perspective. Additionally, this is relatable to the story behind the woman in the painting, thus capturing a flake in time that was important to Pollock as an artist.In art, texture refers to the feel of a bulge out and can be either implied or actual. Most artists use texture to provide variation in their pieces of art, thus helping their audience in identif ying the different components of a piece of art.